
2. Fuzz factor. If you hold the thread up to the light and see no
fuzz at all, that's bad. Either the thread isn't cotton or it is a
glazed cotton. Glazed threads are for hand quilting, not machine
piecing or quilting because the glaze rubs off in the tension disc and
other areas and gums up the machine. If you see a lot of fuzz and
uneven amounts of fuzz along the strand, it is not a quality thread.
If you see a very small amount of fuzz and the thread is consistently
smooth, that's a good one.
3. Thread thickness. Cotton thread is almost always either a 2-ply or 3-ply thread. A high quality 2-ply thread can be stronger than a lower quality 3-ply thread due to the fibers and the processing. A thin, smooth thread will make the best seam because it lies flat in
the fabric. Therefore, assuming the quality is the same, a 50 wt. cotton thread will make a better seam than a heavier 40 wt. cotton thread. When pressed, the finer thread will make a better seam and the points will match up better.
4. Strength. A non-glazed, fine cotton thread will not win any
strength contests by itself. However, because the average stitch
length for piecing is 12 stitches per inch, the strength is in the
stitching. A high quality 50 wt. 2-ply cotton is the perfect piecing
thread.
5. Piecing with matching colors. I saw a beautiful quilt that had what looked likepencil marks next to all the seams. I wondered why the quilter didn't erase them. Upon closer examination, what I was seeing was a gray thread showing through a yellow fabric. Had the quilter pieced with a matching yellow thread, it would have not been noticeable. Although many think that white, cream, and gray threads are the only necessary colors for piecing, matching the piecing thread color to the fabric really does make a big difference.




1. Michelle (06 April 2010 at 4:22 p.m.)